Echoing the film noirs of the 1950s, Marcus Reichert's powerful production is the epitome of understated, yet deeply affecting film making. A repressed accountant obsessed with the person stealing his morning milk is eventually driven to committing an act of irrational violence. His wife however appears to have plans of her own. Deborah Harry relishes her debut film role and is joined behind the scenes by fellow 'Blondie' member Chris Stein, who wrote the score.
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